Jump to content

Ann Savage

From Wikipedia, the free encyclopedia

Ann Savage
Savage in Detour (1945)
Born
Berniece Maxine Lyon[1]

(1921-02-19)February 19, 1921
DiedDecember 25, 2008(2008-12-25) (aged 87)
Resting placeHollywood Forever Cemetery
OccupationActress
Years active1943–2007
Spouses
Clark Bewley Tennyson
(m. 1938; div. 1941)
[1]
Douglas Worthington
(m. 1944; div. 1945)
[2]
Bert D'Armand
(m. 1946; died 1969)
[3]
Play full film; runtime 01:07:59.

Ann Savage (born Berniece Maxine Lyon,[1] February 19, 1921 – December 25, 2008) was an American film and television actress. She is best remembered as the greedy cigarette-puffing femme fatale in the critically acclaimed film noir Detour (1945). She was featured in more than 20 B movies between 1943 and 1946.

Effectively leaving the film business in the mid 1950s, Savage made occasional appearances on television and worked for industrial and inspirational film producers from the 1950s to the 1970s. She made a number of live appearances at film festivals, especially for screenings of Detour.

In 2007 she was cast by director Guy Maddin as his mother in My Winnipeg, "a part that had been tipped to bring her an Academy Award and which introduced her to a legion of new fans".[4]

Early life

[edit]

Ann Savage was born Berniece Maxine Lyon in Columbia, South Carolina.[4] During her early years, her family moved often as her father, an officer in the United States Army, relocated from base to base.[5] After he died when Berniece was four years old, her mother moved the two of them to Los Angeles.[5] Growing up around the corner from the Jewelry District, the Broadway movie palaces of downtown Los Angeles served as her babysitter while her mother worked selling jewelry.[6]

She attended 64th Street Grammar School and Mount Vernon Junior High and first stepped on a sound stage at the age of 17 at MGM Studios to be screen tested by Edgar Selwyn. Ann spent time among the more famous Hollywood kids of the day, such as Lana Turner, Judy Garland, Freddie Bartholomew, and Deanna Durbin.[6]

Berniece's MGM test did not work out, prompting her to get her teeth capped[6] and acquire theatre training at the Max Reinhardt workshop[4] on Sunset Boulevard.[6] Reinhardt oversaw her name change, and Berniece became Ann Savage.

The Reinhardt school's manager, Bert D'Armand, became Savage's agent, and the two later married.[5] Savage was offered a screen test by Fox, but she decided not to turn up, as she knew the studio already had a bevy of pretty blondes.[4]

Career

[edit]

1940s

[edit]

Savage instead made a screen test with Columbia Pictures—after playing Lorna in a Reinhardt acting showcase of Odet's Golden Boy"[6]—and was offered a contract.[4] Recalling Columbia mogul Harry Cohn as "a friendly Uncle type", Savage remembered Cohn being intimidated by acid-tongued Rosalind Russell. The two actresses featured together in What a Woman!, one of a dozen films with Savage released in 1943.[4]

Although Columbia typically groomed its girls in the mold of Rita Hayworth, Savage's look echoed Ann Sheridan, although her customary blonde locks were reddened for Footlight Glamour (1943) "so that the star, Penny Singleton, would be the only blonde on screen."[4] She joined Joan Davis and Jinx Falkenburg in Two Senoritas from Chicago (1943) and starred (as a brunette) in the first of several outings with Tom Neal in Klondike Kate (1943).[4] At this time, during World War II, Savage was also a popular pin-up model, including posing for a centerfold in Esquire shot by George Hurrell. She was a tireless seller of war bonds on two nationwide drives coordinated by Hollywood studios with the United States government.[6]

Detour (1945)

[edit]
Savage and Tom Neal in a publicity still for Detour

Although Savage and Neal did not see eye-to-eye (she found him "childlike"), the duo would star together in Two Man Submarine and The Unwritten Code (both 1944) before their most famous film, the 1945 film noir Detour. Reminiscing in the 1980s about her career as a stalwart actress in B movies, Savage dismissed most of her roles as "mindless", saying: "The actresses were just scenery. The stories all revolved around the male actors; they really had the choice roles. All the actresses had to do was to look lovely, since the dialogue was ridiculous". Detour, she felt, was different. The two leads underwent role reversal, with Savage's Vera blackmailing Neal's Al, in a style described by her manager Kent Adamson as "vicious and predatory... very sexually aggressive".[4]

Although the B-feature was shot quickly in 28 days,[7] its status has been cemented over the years.[4] Director Wim Wenders called her work "at least 15 years ahead of its time", and The Guardian termed Ann "a Garbo for our times". More recently, critics such as Derek Malcolm and Barry Norman have praised the film, with Norman calling Savage "sultry and sexy... a feline film noir star at its finest". After Detour, although Savage starred in a half-dozen more films during the later 1940s—including Scared Stiff (1945), The Spider (1945), The Dark Horse (1946), and Satan's Cradle (1949; a rare western)—her most prolific years were behind her.[4]

When Detour entered the public domain, it frequently was syndicated on television channels and released in numerous VHS incarnations. Gaining cult status[5] and garnering critical acclaim as "arguably film noir's greatest low-budget feature", this exposure earned Savage a new, younger following.[4] From the 1980s, Savage also attended a number of film festivals, helping to bolster her personal status and leading her to emerge once more as "a glamorous figure-about-Hollywood at film festivals and galas".[4]

In 1983, she attended a screening of Detour held as a tribute to director Edgar Ulmer[4] with Ulmer's widow Shirley.

1950s

[edit]

During the early 1950s, Savage began working in television and found that she liked performing in anthology drama series, such as Fireside Theatre, Schlitz Playhouse of Stars, and The Ford Television Theatre.[4] She also guest-starred in episodes of Front Page Detective, Gang Busters, City Detective, and Death Valley Days (The Pioneers). She continued, however, to act on the big screen as well, including in Allan Dwan's Woman They Almost Lynched (1953) with Audrey Totter, Joan Leslie and John Lund.[4] As offers for additional movie and television roles began to dwindle, Savage started appearing in commercials and industrial films before essentially withdrawing from acting by the mid 1950s.

Personal life

[edit]
Savage in 1944

In Los Angeles in July 1938, while still using her birth name Berniece Lyon, Savage married a 21-year-old gas station attendant, Clark Tennyson.[1] The couple divorced three years later. After a second, even briefer marriage to Douglas Worthington from 1944 to 1945, she married her agent Bert D'Armand in January 1946. D'Armand, who was 18 years older than Savage, proved to be a stabilizing influence on the actress's life.[8] The two left California in the mid 1950s, moving to Manhattan and later, before Bert's death in 1969, splitting their time between New York and Florida.[5]

After Bert's death, Savage returned to Los Angeles to be near her mother.[5] There she took odd jobs to finance flying lessons, becoming a licensed pilot in 1979.[4] Her manager quoted her as saying that she loved flying because it put her "closer to God and Bert".[6] She also became part-owner of a small tool company and later took a secretarial course and became a docket clerk receptionist and then a secretary at the law firm Loeb & Loeb in Los Angeles.[4]

Savage was keen on the "preservation and celebration of all things Hollywood", becoming a volunteer and advisory board member of Hollywood Heritage.[6]

Later years

[edit]

Savage's exposure and the praise heaped on Detour led to her appearing in the 1986 film Fire with Fire and in a guest role on the television show Saved by the Bell.

My Winnipeg

[edit]

In 2007, she enjoyed a comeback,[4] and rave reviews, when Canadian filmmaker Guy Maddin cast her as his mother in his My Winnipeg (2008), a "personal portrait of his hometown".[5] Maddin, according to Savage's manager, is a fan of Detour, and Savage's role in his film—"a part that had been tipped to bring her an Academy Award"—also "introduced her to a legion of new fans, including Steven Spielberg, John Travolta, and Martin Scorsese".[4] Maddin has stated that he cast Savage because she "would have scared the pants off Bette Davis".[5] My Winnipeg was critically acclaimed and won prizes from both the Toronto Film Critics Association and the San Francisco Film Critics Circle as well as the Best Canadian Feature Film at the Toronto International Film Festival and a Genie Award nomination.

Death

[edit]

Remaining blonde through her eighties and continuing to attend film festivals and galas, Savage had a series of strokes and became a resident of the Motion Picture and Television Country House and Hospital in California.[4] She died in her sleep on December 25, 2008, aged 87. Her remains are interred with her husband Bert D'Armand at the Hollywood Forever Cemetery in Los Angeles, California. Her personal and career memorabilia will become part of the Harry Ransom Center at the University of Texas at Austin alongside the archives of Robert De Niro, David Mamet, David O. Selznick, Gloria Swanson, and others.[6]

Legacy

[edit]

In 2005, Savage was elevated to the status of "icon and legend" by the Academy of Motion Picture Arts and Sciences.[citation needed] In 2007, Time named Savage's role as Vera in Detour one of the "Top 10 Movie Villains" and Detour as one of the 100 best movies.[6] In 2010, McFarland and Co. published Savage Detours: The Life and Work of Ann Savage, by Kent Adamson and Lisa Morton.

Filmography

[edit]

Features

[edit]
Year Title Role Notes
1943 One Dangerous Night Vivian
After Midnight with Boston Blackie Betty Barnaby
Murder in Times Square Miss Ruth Uncredited
Saddles and Sagebrush Ann Parker
The More the Merrier Miss Dalton Uncredited
Two Señoritas from Chicago Maria
Passport to Suez Valerie King
Dangerous Blondes Erika McCormick
Footlight Glamour Vicki Wheeler
Klondike Kate Kathleen O'Day
The Beautiful Cheat Jane Drake
1944 Two-Man Submarine Pat Benson
The Last Horseman Judy Ware
Ever Since Venus Janet Wilson
The Unwritten Code Mary Lee Norris
Dancing in Manhattan Valerie Crawford
1945 Scared Stiff Sally Warren
Midnight Manhunt Sue Gallagher
Apology for Murder Toni Kirkland
Detour Vera
The Spider Florence Cain
1946 The Dark Horse Mary Burton
The Last Crooked Mile Sheila Kennedy
Lady Chaser Inez Marie Polk / Palmer
Renegade Girl Jean Shelby
1947 Jungle Flight Laurey Roberts
1949 Any Number Can Play Woman in Office Uncredited
Satan's Cradle Lil
1950 Pygmy Island Capt. Ann R. Kingsley
1951 Pier 23 Ann Harmon
1953 Woman They Almost Lynched Glenda
1986 Fire with Fire Sister Harriet
2007 My Winnipeg Mother Final film role

Television

[edit]
Year Title Role Notes
1950, 1952 Fireside Theatre Colette 4 Episodes "The Exile" (1952), "The Roof" (1952), "Polly" (1950) "Judas" (1950)
1951 Front Page Detective Patti Carroll Episode: "Clean Sweep"
1952 Schlitz Playhouse of Stars Episode: "Tango"
1953 Death Valley Days Diamond Babe Season 2, Episode 1, "The Diamond Babe"
1954 City Detective Lisa Episode: "Cruise Ship"
1955 Gang Busters Juanita Episode: "The Red Dress Case"
1955 The Ford Television Theatre Maggie Episode: "Magic Formula"
1955 City Detective Natalie Episode: "In Sickness and in Stealth"
1991 Saved by the Bell Mrs. Thornhill Episode: "Boss Lady" Uncredited

See also

[edit]

References

[edit]
  1. ^ a b c d "California County Marriages, 1850-1952", license and certificate of marriage, Clark Bewley Tennyson to Berniece [sic] Maxine Lyon, July 23, 1938, Los Angeles, California; Bureau of Vital Statistics, California State Board of Health, Sacramento; digital image of original two-page (obverse/reverse) document, archives of The Church of Jesus Christ of Latter-Day Saints, Salt Lake City, Utah. On this official record, Savage's birth name is clearly and consistently typed and handwritten "Berniece Maxine Lyon" a total of six times.
  2. ^ Muller, Eddie. Dark City Dames: The Wicked Women of Film Noir. New York, N.Y.:ReganBooks, 2001, pp. 158-159.
  3. ^ Muller, p. 165.
  4. ^ a b c d e f g h i j k l m n o p q r s t u "Ann Savage" (Obituary) in The Daily Telegraph, January 2, 2009 Archived November 11, 2012, at the Wayback Machine
  5. ^ a b c d e f g h "My Winnipeg's Ann Savage dies" (obituary) at CBC News, December 28, 2008. Accessed January 7, 2009 [1]
  6. ^ a b c d e f g h i j Adamson, Kent, "Ann Savage: A Friend to Hollywood Heritage". Accessed January 7, 2009 Archived February 14, 2012, at the Wayback Machine
  7. ^ Morton, Lisa; Adamson, Kent; Maddin, Guy (2009). Savage Detours: The Life and Work of Ann Savage. McFarland. p. 61. ISBN 978-0-7864-4353-6.
  8. ^ Muller, pp. 165-169, 266-270.
[edit]